Showing posts with label Neighborhood Culture. Show all posts
Showing posts with label Neighborhood Culture. Show all posts

Sunday, September 26, 2010

Filling Empty Buildings with Art: Good Idea


posted by chicago pop


Not a bad idea at all.

From the Hyde Park Alliance for Art and Culture's news blog:

Coming to 53rd Street … Art Here Art Now

September 4, 2010

Most of us have a fairly romantic view of the life of artists. The picture that comes to mind is often bohemian, carefree and set apart from society. But the actual life of artists is vastly different. Like anyone else whose job it is to produce – artists need space.

Enter Art Here Art Now…

… which represents the confluence of desires to see artists at work in the community. The result is a shared work space featuring three artists in the throws of their creative process. Beginning on October 1, Melissa Weber, Cydney Lewis, and Marty Burns will occupy the corner storefront in the building at 53rd Street and Harper Avenue in Hyde Park on Chicago’s Culture Coast. The studio will be open for visiting and interacting with all three artists as you watch their creativity in action every Saturday, in October, from 1 to 5pm.

The idea is not to present a finished product; it’s more for people to see how things change and to see what gets created.

In addition, Art Here Art Now will feature art installations from local artists Andre Callot, Danielle Paz, Jillian Soto and Peter Zeigler available for viewing any time in the windows along 53rd Street.

Art Here Art Now is a project initiated by local artist and Hyde Park Art Center board member Melissa Weber and is presented by HyPa and the University of Chicago.

Melissa said she is really excited for Hyde Park because this project is a great example of what needs to be done with space in the neighborhood and what art can bring to the neighborhood – making art accessible and part of people’s lives.


Sunday, August 8, 2010

Dreams of Her Father: Rebecca Janowitz's Hyde Park

posted by chicago pop




Rebecca Janowitz's recent book, Culture of Opportunity. Obama's Chicago: The People, Politics, and Ideas of Hyde Park, exemplifies its title. With the election of superstar Barack Obama to the Presidency in November, 2008, the opportunity was ripe for someone to make the most of Hyde Park's new-found fame and to clarify for a curious world, once and for all, just what bound the new President to his adopted neighborhood. Someone had to do it. Ms. Janowitz has. But she has also done much more than that.

She is disarmingly conscious of the stakes of her enterprise for the reputation of her small, relatively unknown neighborhood. She writes in the concluding lines of her book,

As Obama is judged during his presidency, Hyde Park will be judged. How helpful is the neighborhood's understanding of community, progress, and reform? In a real way, Obama's ascent is an opportunity for Hyde Park to showcase its ideals and its values, but it also creates a risk.

In my view, the gamble was well worth taking, and through her efforts the author has won for us a much-needed and densely argued book. It is not an antiquarian's collection of entertaining yarns and curious facts like much local history, but a semi-scholarly argument for what Janowitz believes to be a coherent tradition of reform that links the earliest activists of 19th century Hyde Park with its most illustrious living neighbor, the nation's 44th President.

Culture of Opportunity would be a welcome contribution to Chicago history and the history of various reform movements of the last 150 years without Barack Obama. But it is, in inspiration and conception, a book about Barack Obama, even if he himself remains largely unseen in the pages of the narrative. That is because he himself is less an actor in his own right -- it is too soon to tell, after all, what the significance of his story will be -- than a symbolic culmination of a small neighborhood's history, populated by a series of out sized figures, who between them passed along a sacred flame of justice and reform: from Paul Cornell, on to Charles Merriam, Mary McDowell, Julius Rosenwald, Leon Despres, Earl Dickerson, Paul Douglas, and perhaps most movingly, Harold Washington.

In one sense, I wish this worthy story had been told without reference to Obama. The opening chapter of the book, "Life in Hyde Park," while it succeeds in capturing certain intangibles of neighborhood life, is nonetheless preoccupied with the media controversies of Obama's campaign in a way that does not age well, nearly half-way through Obama's presidency. In the midst of an unpopular foreign war and the aftermath of the worst environmental disaster in the nation's history, the few pages devoted to distancing the President from the likes of Bill Ayers and Reverend Jeremiah Wright seem irrelevant, more a settling of scores with forgotten right-wing bloggers or a dated marketing pitch than a solid perspective from which to launch an argument.

Culture of Opportunity is a book written by an insider who has worked very hard to promote the success of outsiders. Ms. Janowitz, unlike President Obama or several of the other star politicians she catalogs, is a native Hyde Parker who, as the dust-jacket blurb indicates, "has been active in Hyde Park affairs and in Chicago-area public service most of her adult life." Indeed, much of her argument is structured around the idea that Hyde Park is a unique incubator of outsiders who have left it with an equally unique culture of opposition, for reasons of geography, demography, and institutional affiliation. It is possible to read the book and see the political destiny of 5th Ward Alderman Leon Despres -- immortal for having been the sole Alderman to oppose Mayor Richard J. Daley in his day -- foretold in the plotting of Hyde Park as a gracious garden suburb, far from yet cautiously linked to the squalor and vice of Chicago.

To Hyde Park's insider-outsider dynamic, which helped to root early Progressive, pedagogical, labor, feminist, and socialist causes in the neighborhood, was eventually added an overriding concern with racial justice. This latter concern provides the lens through which Culture of Opportunity is written, and it clearly owes much to the author's father. We are introduced to Morris Janowitz early on, who the author describes as a Jewish war veteran. Taking advantage of the GI Bill, Janowitz père wrote a dissertation for the University of Chicago's Sociology Department after World War II, before becoming a professor at the same institution and pursuing research comparing European anti-Semitism and American racism. "To Janowitz ... [racists] were close cousins of the recently defeated fascists of Europe, a problem left over from the war, waiting to be solved." Something like the election of Barack Obama, which provides the book with its raison d'être,was literally the dream of its author's father.

No book can explore every dimension of a problem and still sell to general readers. Occasionally, however, unarticulated themes emerge so powerfully from the evidence itself that the reader wonders why they were not conceptualized. Morris Janowtiz is among the first of a list of persons mentioned in the book, including Julius Rosenwald, Leon Despres, Emil Hirsch, Abner Mikva, Arnold Wolf, and others, who have one thing in common: they were Jewish. "By 1950," we learn in Chapter 5, Hyde Park-Kenwood's "largest ethnic group, about 40 percent, were Jews of European descent." And again on the back book flap: "The willingness of Hyde Parkers, especially progressive Jews, to rally behind Harold Washington helped him to become Chicago's first black mayor."

As much as we might be interested to know how Obama's career was assembled and tested in Hyde Park, the details listed above point to an equally interesting question, related to the first, but neglected by Janowitz: Why is it that Hyde Park-Kenwood came to host such a influential community of progressive, initially affluent Reform Jews? Why did so many Jews stay in Hyde Park after the War and through the period of racial turnover? And how did their particular understanding of racial politics shape the larger discourse, down to the successful presidential campagin of Barack Obama?

This seems like a less than negligible question. For over half the lifetime of the neighborhood Janowitz chronicles, American Jews were less than first-class citizens, however affluent some of them became. This is well known, but the dynamics of this particular struggle are shadowed by the focus on Barack Obama as the teleology of American racial politics. Culture of Opportunity may arguably be read as the story of black emancipation as it played out in Hyde Park, through a Jewish-American lens. It would be interesting to turn the eyeglass back the other way.

And this is where the risks identified by Janowitz at her book's conclusion become most apparent. For as much as Hyde Parkers think of their community as racially "diverse," in reality, it does not reflect the changing ethnic face of America. There is more diversity within a quarter mile radius of Devon and Western, or Irving Park and Cicero, than in all of Hyde Park-Kenwood. The uniqueness of Hyde Park politics may have been instrumental in propelling Obama to the presidency, but the Hyde Park "model" -- which Janowitz carefully admits has not been replicable -- may be limited in its extension to a nation that is less and less defined as black and white. The fact that Obama chose "black" as his identity on the 2010 census reflects less the global, cosmopolitan reality of his biography, than the distillation of this experience into a much simpler -- and somewhat falsified -- South Side Chicago dichotomy.

There is some sense of this limitation in the European response to Obama, swinging as it has from initial enthusiasm to subsequent disillusionment, at least among spokespersons for various social democratic positions. In reading the comment sections of a variety of left-leaning European papers, it is not uncommon to come across statements such as: "Well, just because the color of his skin is black, doesn't mean he will change everything." At a global level, Obama's racial identity may turn out to be less important than the continuation of some of his predecessor's most controversial policies. What, then, of the Hyde Park model?

Hyde Park, drawing on its heritage and building on its precedents, helped to propel a talented black man to greatness. This is, for all intents and purposes, the central assertion of Culture of Opportunity. It is a persuasive one. Racial politics have defined Hyde Park politics for over half a century, so it only makes sense that the base of personal and institutional networks anchored in Hyde Park would serve as an incomparable resource to any liberal African American wishing to strike out on an ambitious political career. Hyde Park, much more so than the larger City of Chicago, can justifiably take pride in the role it played in launching Obama's career.

Whether the Hyde Park experience equipped the 44th President of the United States with the ability to bring change about, rather than only symbolize it, remains an open question.

Sunday, June 20, 2010

Coming Soon: HPP Reviews Janowitz, "Culture of Opportunity"


posted by chicago pop




Read it. And in the meantime, go meet the author:

Sunday, June 13, 2010

Chicago Pop's Ranking of the Best Playgrounds in Hyde Park Kenwood

posted by chicago pop


Getting a drink at the neighborhood's best summer fountain
in Kenwood Community Park

The Hyde Park- Kenwood area is particularly rich in city parks, and especially in children's playlots. By one count, Hyde Park- Kenwood and the surrounding area are home to 30 city parks. For parents of young children, this is a particular boon, and one of the reasons HP-K is such a child-friendly neighborhood.

Naturally, the best park playground is (or should be) the one closest to home, just down the street, where kids can walk or be carried a short distance, to meet and be with people they know. Chicago playgrounds also come in a variety of packages. While most of them have the same basic equipment and general layout, they come in vastly different settings: some are new, some are old; some are loved and bustling, some are neglected and empty; some cater to a restricted demographic, some display the full range of Chicago's ethnic diversity; some are squeezed between apartment buildings, some take up entire city blocks; some are in larger parks with few amenities, some are among the city's most attractively landscaped jewels, surrounded by may other attractions.

So, all this being said, here are chicago pop's rankings of Hyde Park and Kenwood area playgrounds. There may be a few I missed completely, and a few that have striking qualities that deserve to be highlighted, even if they don't place in the Top 5. Let's hear about it, if so. But I'm confident that the Top 1 and 2 positions are there to stay.

The rankings here are based on the quality of the playground -- amount of equipment, condition, layout -- but just as much on the setting, the qualities of the surrounding park, and the demographics of park use. There is a slight preference for larger playgrounds in larger parks, but I also include a smaller favorite in recognition of the fundamental diversity of playground settings.



Hyde Park-Kenwood's Best Playground: #1 Harold Washington Playlot, Harold Washington Park



Hands-down, without-a-doubt, no-two-ways-about it, Hyde Park - Kenwood's best playground is the spacious, shaded, elaborately-equipped, and beautifully sited Harold Washington Playlot in the city park of that name.

Harold Washington dominates in every field. It is an outstanding, recently-renovated children's playground located within one of the most beautiful city parks in Chicago. It is unmatched in surrounding attractions and amenities. And it is one of the least segregated playgrounds in the Hyde Park area.

This last quality helped knock a few solid and serviceable playgrounds out of the Top 2 -- playgrounds like Bixler Playlot, on 57th Street, which is used by a heavily Caucasian crowd, and the vibrant playground at 47th and Cornell in Burnham Park, which is very popular for pick-up basketball and heavily African-American.

Urban density next to open lakefront space: the best of Chicago at Harold Washington Playlot

Harold Washington won out on a few basic measures: there is simply more stuff there than in any other park, it is bigger, and the stuff is in better shape. On a good Saturday morning or afternoon the park is humming -- as is the surrounding city park -- with people of all races, and even folks who have come from outside the neighborhood. During the week it is regularly invaded by summer camp kids from the adjacent Akiba Schechter Jewish Day School and other programs.

The surrounding park helped lift the playground to the top of the list thanks to a few key features, chief among them being one of Hyde Park's very few public restrooms. This is something that any parent should be able to appreciate, as well as a sign of confidence in the civility of park patrons.


See-sawing by the lake
at Harold Washington Playlot

The list goes on, and includes Chicago's only boat pond -- which we remain hopeful will one day rent boats for kids to sail -- newly resurfaced tennis courts right next door, chess tables nearby, access to the lakefront trail, Promontory Point, and Istria Cafe a few blocks away, as well as the coming rehabilitation of the Del Prado Hotel on the southwest corner of the park.

One of five major activity stations in Harold Washington Playlot

Enjoy your local playground this summer. But be sure at some point to stop into the best playground in the best city park that Hyde Park - Kenwood has to offer.


#2 Kenwood Community Park


Kenwood Community Park is the only other park in the neighborhood on the same level as Harold Washington in terms of diversity of activity stations, with one jungle gym for toddlers and another for older children, as well as one of the best play fountains. Like Harold Washington, Kenwood Community Park has abundant shade, is clean, and is frequented by a diverse group of residents from all of Hyde Park and Kenwood.

The playground itself resembles Bixler to the extent that it is located in a park next to a school (Beulah Shoesmith), set in a residential neighborhood -- in this case, a charming square of old brownstones and single-family homes. Two blocks to the east is one of the Chicago Public Library's architectural jewels, the Blackstone Library.


Kenwood's configuration is somewhat unusual in that it is an oblong, narrow area, fit in between a baseball diamond and the park boundary. But this is a quibble. The adjacent tennis courts are frequently in use, and the sandbox is very popular. Kenwood Community Playground is the epitome of an active playground integrated into the fabric of an old, established Chicago neighborhood.


#3 Bixler Playlot


Bixler Playlot scores points for one reason above all: location, location, location.

It is quite popular among the PSN-mommy set, due primarily to its location in an area that is comparatively lacking in parks or playgrounds. It also has the convenience of being located across from one of the few stretches of commercial and dining activity in Hyde Park -- on 57th Street -- making it easy to grab a refreshment around lunchtime for the kids or a coffee to help the adults keep up with the youngsters. Because of this central location, it is almost always in use.

A hot, bright day at Bixler

With Bixler we move down to a different level from the #1 and #2 playgrounds. It is smaller, less well kept, and has fewer activity stations. Importantly for this ranking, Bixler is not nearly as diverse in the crowds it attracts. On an aesthetic level, it tends to be littered with junk and broken toys that someone, at one time, thought it would be generous to leave as gifts to the commons, but now mostly frustrate or trip the children who try to use them. It is also less well-shaded than either Harold Washington or Kenwood, making for hot times both for children or their guardians watching from the benches.


#4 Sycamore Playlot Park


Sycamore Playlot Park is my favorite among the smaller "pocket" parks laid out on one or two city lots between standing blocks of residential apartment buildings. Many of these parks are visited much less often than the larger or more popular parks in the neighborhood, and are often known only by locals. However, some of them are worth visiting on the basis of their own qualities, and Sycamore is one of them.

Located half a block from Barack Obama's Kenwood mansion, Sycamore is a well-shaded playground with one major activity station, two swingsets, and a sandbox. It is surrounded on three sides by the brick walls of adjacent apartment buildings, and opens up onto Greenwood Avenue. Several nearby in-home day-care services occasionally bring their toddlers into the park in warm weather.



Sycamore Playlot is not busy, and this may spook moms who don't like to be alone, even though there is a large Secret Service presence just around the corner. It also lacks any significant green space, giving it a very urban feel. All this being said, it is well-equipped for its size, the gear is in solid condition, and Sycamore has the advantage of being one of the more tranquil playgrounds on a calm summer afternoon.

And in the fall, Sycamore is distinguished by three young maple trees that are among the few in Hyde Park to turn a flaming red, contributing to the quiet beauty of the place.


#4 Nichols Park

Nichols Park is the dive-bar of neighborhood parks. That is partly what gets in on this list at all -- its very seediness. But it has several redeeming qualities that compensate for this run-downness and make it a major playground destination for the area. Above all, it is large, with some of the only and largest green space between the Midway on the south, Washington Park on the West, and the lakefront parks on the east.

A glorious summer day on the green in Nichols Park

This means that in summer months, it is always busy with picnickers, dog walkers, summer camp groups, tennis players, and parents with small children. Nichols Park itself is home to the Hyde Park Neighborhood Club, with its various childrens' activities, and it neighbors Murray Language Academy to the north, which has its own bustling playground.

There are two Park District playgrounds in Nichols Park, one with a more university-oriented crowd on the southern end near 55th Street, and another with a more neighborhood-oriented crowd on the northern end near 54th. Both are older and dilapidated, much like the rest of the surrounding park. Here is where kids will find those increasingly rare but very fast aluminum slides that heat up to 1000 degrees in dog days of summer.

Dilapidated but well-used playground at northern end of
Nichols Park

Nichols ranks high for diversity: I have heard more languages spoken in and around the two playgrounds at Nichols Park, especially the southern one, than at any other playground in Hyde Park. The presence of the Neighborhood Club guarantees that there are kids of all ages and backgrounds at the southern end of the park, while the northern playground is regularly used and reflective of the diversity of the neighborhood. All of this -- plus the central green and glorious surrounding timber -- helps Nichols Park overcome its dilapidation to place at #4 on our list of neighborhood playgrounds.


#5 Playground at Promontory Point in Burnham Park

The playground in this park ranks #5 on my list for purely aesthetic reasons: it is situated in a very pleasant location. (Pictures forthcoming!)

The playground equipment is by no means the newest, most modern, or most extensive (although the equipment is in better shape than the playgrounds at Nichols Park), and the playground is used only intermittently. Close to the Point, it is more remote from the central areas of Hyde Park. But the playground, at the southernmost end of vast Burnham Park and across from the Shoreland Hotel, is one of the loveliest settings of all the playgrounds in Hyde Park. It is shaded by several enormous cottonwood and basswood trees, which let a dappled sunlight filter down to the activity stations. The Point is steps away, and open green space is all around. Even when completely empty of other visitors, its open location and proximity to the lakefront path make it feel safe.


#6 ... Your Suggestions?

Sunday, October 11, 2009

Hyde Park Gets Some Love


posted by chicago pop

This has to be photoshopped, right?

[Source: Chris Sweda, photo in "Hyde away", Chicago Tribune, Friday October 9, 2009]


Post-Olympic bid, post-Obama Nobel Peace Prize, things are getting back to normal in Hyde Park, with a new theater season at the Court, impressive new shows at the Hyde Park Art Center and the Smart Museum, to say nothing of the spectacular success of the 3rd Annual Hyde Park Jazz Festival.

The Tribune, in its wisdom, decided to send a reporter other than Ron Grossman to bring Chicagoans up to speed not on where Hyde Park was, but where it's going. The old attitude cries in its beer at Jimmy's over all the old joints on 55th, and writes comments to the above article like these:

Hyde Park may ... be noted for what it has lost like the Harding Medieval museum, the studios on Stony Island where writers like Nelson Algren, Saul Bellows [sic], used to hang out, the retail shops and apartments along 55th street which gave way to university development. But it is still a nice place to live.
The new attitude knows this old story, but doesn't repeat it as an eternal prelude. It can, symbolically, find the hipsters -- every neighborhood needs a few of them -- that reporter Lauren Viera caught at a Fixed Friday event over at Tati Cycles at 53rd and Ellis.

Here's the view from behind the fixie handlebars:

If Chicago is two years behind the coasts, then Hyde Park is two years behind Chicago -- and so it would make sense that we are beginning to see a nascent fashion + fixie trend in the hood. It seems to be taking on a unique, UofCesque flavor however: Have you seen the Rush Hour with Proust quotes on the top tube? Or the Rivendell Atlantis with Nitto bullhorns shellaced grey and a White Industries ENO? Or the young grad student with the Anais Nin tattoo and shock of neon pink accents to match her anodized Sugino 75s? I wouldn't have imagined this a couple of years ago.

If it pauses to get a single shot espresso at Istria norte on Cornell and 50th, it absorbs talk of Bruno Latour, Carl Schmitt, and art in Shanghai.

Hyde Park: it's not just the Museum of Science and Industry anymore.

Of course we've all known this, even before the Hyde Park Jazz Festival came on line, or the HPAC started ramping up the cool shows. There have been hidden treasures like the Oriental Institute and the Renaissance Society, the footpaths and ponds at the south end of Olmsted's Washington Park, and the morning mists on the great meadow to the north.

Soon we'll be able to add a restored and revived Shoreland and Del Prado to that list, combining the best of what was with what is yet to come.

There's no mistaking that the cultural momentum in Hyde Park has picked up over the last little while. Props to the Trib for noticing.

Sunday, March 22, 2009

Wait Until Dark @ Court Theater


posted by chicago pop


For anyone who lived in Hyde Park at any point during the last century, the Court Theater's current production of Frederick Knott's Broadway thriller Wait Until Dark may seem strangely familiar. Con-men and break-ins to seedy rental apartments, why set a play with these elements in 1960's Greenwich Village? Woodlawn and 53th Street circa 1987 would have done just as nicely.

In fact, minus two dead bodies in the bedroom and slightly more bohemian neighbors, the two locations might have been interchangeable.

So seeing Wait Until Dark at Ellis and 55th produces mixed sensations of recognition and artifice: this is a familiar tale of mistrust and fragile human connection in an unstable urban environment, a tale of much of inner-city America throughout the postwar period.

And yet the tropes of film noir and theatrical suspense seem to require settings and character types that aren't associated with Chicago's real-life noir: down-and-out screenwriters in Hollywood or fashion photographers in the Naked City. So the neighborhood viewer may bring her own uncatalogued noir recollections to the theater, and experience their eerie reenactment in a different geography and a slightly conventionalized world.

Knott's play is a piece of theatrical craftsmanship, its plot as intricately designed as the cramped set on which it is performed. A chipper, extremely intelligent, and blind housewife is married to a man whose ability to manipulate vision --as a fashion photographer -- is his livelihood, in what might strike some as an improbably virtuous domestic union. As a favor to a stranger, the husband serves as a "mule" and transports a doll full of heroin back to New York where it is to be innocently delivered to its owner.

That doesn't work out, and Susy Hendrix, the blind housewife, is left alone in the apartment with the doll while a small-time hood, Roat, schemes to intercept it with the help of two affable con-men.

Audrey Hepburn as Susy in Terence Young's
Wait Until Dark (1967)

To emphasize Susy's defenselessness, and to amplify our anxiety on her behalf, the first characters to enter the stage, and her apartment, are the two con-men, followed by Roat, who decides that the trio are going to use their wits rather than violence to retrieve the doll. So begins the play-within-a-play, in which the audience from the beginning knows more and can see more than the heroine, who by dint of her charm and intelligence must maneuver herself out of her trap.

I can't recall being as frightened by the action in a theater piece as I was by the climax of Wait Until Dark, which fans of modern psychological thrillers such as Silence of the Lambs must recognize as a significant precedent in terms of technique (a woman and her tormentor trapped in the dark) and effect (terror). Certain advantages of a stage production, such as total control of light and sound, make the physical reality of blindness -- which Susy uses to her strategic advantage throughout the play -- more visceral than is possible on film, making the production worthwhile even for those acquainted with the 1967 screen adaptation.

The cast are all new to the Court. Norm Boucher and Aaron Todd Douglas lend appropriate physical heft -- while remaining likable -- to characters who carry switch blades and brass knuckles, while John Hoogenakker as the sadistic dandy Roat is far more menacing despite his slender frame. Emjoy Gavino as Susy is as remarkable in her physical understanding of blindness as for her ability to make such an extraordinarily intelligent "housewife" as Susy persuasive. Erin and Molly Hernandez share in their portrayal of Gloria, the 9 year old neighbor girl who delivers clever and well-timed comic relief.

The drama is ultimately a contest of wits between Roat and Susy, played out through a set of intermediaries, until the two must finally decide the contest face to face. "You've thought of everything," Roat laments near the end of the final contest. Any Hyde Park PhD should hope they are as quick on their feet and as sharp under stress as the keenly empirical, pattern-recognizing, and strategic housewife from Greenwich Village.

********

Wait Until Dark
by Frederick Knott
Directed by Ron OJ Parson

March 5 -- April 6 2009
Court Theater
5535 S. Ellis Avenue
Chicago, IL 60637